Skip to content
Open access

Changes in the morphological structure of Walter White’s speech as a marker of the film character’s transformation in the television series “Breaking Bad”

Aug 2026 · Philology. Theory & Practice · Vol 19, pp. 3079-3086 · 0 citations · 15 references

Abstract

The study aims to identify the correlation between changes in the morphological structure of speech and the stages of Walter White’s identity transformation in the television series “Breaking Bad”. Using a corpus of the character’s utterances (50,290 tokens divided into three periods – the emergence, ascendancy, and dominance and downfall of Heisenberg), the study analyzes the frequency of personal pronouns (“I”, “you”, “we”, “me”, “us”) and proto-agentive / emotive verb constructions. The scientific novelty of the work lies in conducting the first systematic quantitative study of grammatical changes based on material from all seasons of the series and proposing an algorithm for the corpus analysis of morphological categories as objective indicators of an individual’s inner evolution. The findings demonstrate that changes in morphological indicators are statistically significantly correlated with the stages of the character’s personal transformation and reflect the non-linear nature of the internal restructuring of his linguistic personality. The peak of subjectivity – an increase in the frequency of “I” and “me” – the breakdown of collective identity – a decrease in the frequency of “we” – and an increase in the differences between the frequencies of “I” / “you” and “I” / “we” occur during Heisenberg’s ascendancy (Seasons 3-4). By contrast, the final season (Season 5) is marked by a decrease in the frequency of emotive constructions with the pronoun “I”, indicating the completion of the transformation and the suppression of self-reflection.

Read PDF

Similar papers

Sep 2026

"The beginning of the war" in the reports of Richard Sorge: background meanings and the voice of a scout (experience in digital analysis)

This article presents the results of a big data analysis on the prediction of the start date of the Great Patriotic War, presented in Richard Zorge's intelligence reports from 1931 to 1941. The article utilizes a multidisciplinary research approach: military-historical texts are analyzed using computational linguistic...

U. P. Strizhak · 0 citations
Open access Sep 2026

Stylistics of Morphological Repetition and Epic Language (Based on the Epic "Manas" in the Version by S. Orozbakov)

This article examines the linguistic and stylistic features of morphological repetitions in the epic language, based on the version of the epic "Manas" narrated by the outstanding manaschi Sagimbai Orozbakov. The research aims to identify the structural, semantic, artistic, and aesthetic functions of repetitions of var...

A. Kuvandykova, А. Dunkanaev, T. Marazykov · 0 citations
Open access Sep 2026

Structural and semantic types of metaphors in the idiostyle of Bel Kaufman (based on the novel “Up The Down Staircase”)

This article is devoted to the study of the mechanisms of metaphorization in the space of an artistic work. The paper examines the main theoretical approaches to the typology of metaphors that have developed in Russian and foreign philology. The methods of analysis, synthesis, and generalization of the works of leading...

O. Evstafiadi, M. S. Dyshlevaya · 0 citations
Open access 2026

Repetition of the Realities and Concepts of the Author’s Book in a Character’s Work: A Shift in Perspective and Distortion of Perception (Fyodor Dostoevsky’s The Idiot)

In Dostoevsky's works, the manner in which a character presents his vision of the principles governing the structure of the world is invariably significant. The external form ofthis presentation–whether it takes place as a general conversation or a solo reading, a discussion of an article written by the character, a qu...

Tatyana A. Kasatkina · 0 citations
Open access 2026

Some Lexical Characteristics of the Early Drafts of L. N. Tolstoy’s Story “Youth”

This study aims to identify the lexical indicators of Leo Tolstoy’s innovative approaches to literary text. The biographical trilogy not only established the fundamental features of the writer’s individual style but also refined the author’s approaches to word processing: the selection of lexical units, word creation,...

D. A. Romanov · 0 citations

We use cookies to run the site and, with your consent, for analytics and to show ads. See our Cookie Policy.