Findings show that preserving the temporal extent of recurrent history is important for efficient whole-piece modeling, and that memory cost can instead be reduced through KV representation compression.
Abstract
For computational efficiency, modern language models are typically trained on independently sampled fixed-length sequences. Symbolic music language models largely inherit this paradigm, despite musical structure naturally unfolding over complete compositions rather than isolated excerpts. Fragmenting compositions into independent training instances therefore prevents continuous conditioning over the complete work. We present a practical framework for whole-piece training of symbolic music language models via Full-Horizon Compressed Recurrence (FHCR). FHCR preserves the full temporal horizon of recurrent memory while reducing the dimensionality of its key-value (KV) representation, making continuous whole-piece training practical under limited GPU memory. To directly assess functional long-range dependence, we introduce KV-Reset Context Utilization (KRCU), an evaluation-time diagnostic. On the MAESTRO symbolic piano dataset, KRCU shows that full-horizon models utilize context far beyond the local segment window, whereas reducing the temporal extent of recurrent memory substantially weakens this measurable long-range dependence. FHCR preserves long-range context utilization while substantially reducing recurrent memory cost. These findings show that preserving the temporal extent of recurrent history is important for efficient whole-piece modeling, and that memory cost can instead be reduced through KV representation compression. The project demos and generated music samples are available at https://wholemusic.github.io.
The results suggest that equivariance-based SSL objectives, combined with sufficient fine-level encoder capacity, provide a viable path toward semantically rich, generatively useful representations of symbolic music.
Markov models are established tools for symbolic music, including non-homogeneous formulations. The narrower contribution examined here is an observation-driven estimation mechanism: overlapping sliding windows derive a trajectory of local transition kernels from one symbolic sequence rather than from an exogenous form...
Francesco Vitucci, M. Lorusso, Francesco Scagliola· 0 citations
HCC directly realizes the hierarchical-compression direction identified as future work by recent segmented-decoding methods, and is validated with controlled and real-text information-retention studies and with direct latency and memory measurements.
Maya Srinivasan, Lucas Bernal· International journal of inf...· 0 citations
Diff-Symbo is presented, an innovative method that uses latent diffusion model (LDM) to generate high-quality, diverse and long-duration symbolic music and improves the duration and the compositional consistency of music generation through an autoregressive approach.
Zhi-Wei Lin, Jun Chen, Bo-Shi Tang et al.· 0 citations
Text-to-music language models begin with a choice usually made by default: how to tokenize music, and the ordering is clean and surprising: representation, not model size, is the binding variable for distributional fidelity.
Junhao Chen, Ming-Jin Chen, Jingjia Mao et al.· 1 citation
Experimental results indicate that fully automated data curation combined with imbalance-aware training yields non-trivial improvements, but models still struggle to capture fine-grained acoustic features, indicating a gap between surface-level alignment and deep musical comprehension.
Zi-Ya Zhou, Shangda Wu, Shenyang Xu et al.· 0 citations
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