Aug 2026· Sustainability· Vol 18, pp. 7922· 0 citations· 64 references
Abstract
Perceived authenticity may strengthen the credibility of virtual cultural heritage communication and foster sustained cultural engagement, yet authenticity theory remains insufficiently translated into actionable design guidance. This study employed an exploratory sequential mixed-methods design comprising ten qualitative interviews, exploratory and confirmatory factor analyses with two independent samples (n = 200 each), framework construction, and a between-group prototype evaluation (n = 61). The analyses indicated a context-specific two-factor structure: constructive authenticity, integrating evidence-based judgment, contextual interpretation, and narrative plausibility; and existential authenticity, encompassing participation, emotional engagement, personal meaning, and cultural connection. Objective authenticity converged with constructive authenticity rather than emerging independently, suggesting that users interpreted historical evidence through digitally mediated representations. These findings were translated into six coordinated design dimensions: historical environment design, historical information transparency, narrative plausibility, stylistic atmosphere, experiential immersion, and interactive engagement. In a single-theme comparison, the framework-guided prototype was associated with higher loyalty, satisfaction, cultural identity, and behavioral intention than the conventionally designed prototype (Hedges’ g = 1.265–1.636). Overall, the study offers a context-specific theoretical account and an actionable, evidence-informed framework that may support continued engagement and cultural transmission; long-term sustainability outcomes and cross-context transferability require further investigation.
Digital technologies have transformed the preservation and communication of cultural heritage by enabling broader access and new forms of community engagement. However, not all cultural platforms successfully foster meaningful participation. This article examines participatory gaps in BASAibu Wiki–Sulsel, a digital pla...
Erlin Marbella, S. A, Muliadi Mau· Frontiers in Communication· 0 citations
Background: Digital media increasingly mediate how publics encounter, interpret, and participate in cultural heritage, yet wider circulation does not necessarily produce deeper understanding or more equitable participation.
Objective: This study explains the principal mechanisms through which digital media shape publi...
Duc Thi Minh Trinh, P. T. Nguyen· Journal of Social Science an...· 0 citations
This article examines how design practices mediate and reinterpret Tunisian cultural heritage within higher education contexts. Rather than treating heritage as a fixed collection of objects or traditions, the study approaches it as a dynamic cultural process shaped through representation, participation, and media tran...
Houda Kohli Kallel· International Journal of Des...· 0 citations
A rigorously controlled comparative analysis of three immersive systems deployed at the archaeological site of Villa Regina in Boscoreale, Italy shows that VR elicited the greatest spatial presence and engagement, AR improved perceived realism and contextual authenticity, and VR360 offered the most accessible but least...
Francesco Colace, Angelo Lorusso, Federico Martusciello et al.· Virtual Reality· 0 citations
The Qiang New Year festival, a core intangible cultural heritage (ICH) of China’s Qiang ethnic group, faces an existential crisis due to accelerated modernization and intergenerational discontinuity. This study explores a preservation pathway integrating embodied virtual reality (VR) ethnography with community-based...
Yuan-Fei Yan, N. Bakhir· Frontiers in Virtual Reality· 0 citations
High-fidelity games increasingly function as communication environments for cultural heritage. Taking Black Myth: Wukong as a qualitative case, this article examines how virtual heritage spaces are recognised, experienced, and discussed across gameplay and social media. The study draws on embodied participant observati...
Kun Fu, Fangfang Liu, Yue Li et al.· Journal of Global Trends in...· 0 citations
We use cookies to run the site and, with your consent, for analytics and to show ads.
See our Cookie Policy.