Drawing from narratological frameworks like those produced by Marie-Laure Ryan and Mieke Bal, this essay provides strategies for those seeking to immerse readers using perspectivised characters in Science Fiction. An emphasis is placed on how these strategies are applied in speculative storyworlds that feature ontological layering; a creative component which presents such a storyworld will accompany the text to demonstrate. The text experiments with form to represent the layered ontology of the world, contributing to a discourse on simulation and simulacra through an SF lens. The following is a summary for the creative component, The Soul Gauge, a speculative fiction: A museum tour guide enamoured by the past begins to lose track of his own. What has caused this loss of recent history? Perhaps the appearance of a doppelgänger might offer an answer to this, along with all of the problems and questions this double gives rise to. The Soul Gauge’s narrative of perception, deception and reflections (of many kinds) aims to lay out the opportunities and issues that digital simulations might present.
This paper examines how literature, games, and film influence one another and reshape narrative form in the digital media environment. Classical narratology presupposes a linear text read from beginning to end in a single order, and therefore has inherent limitations in accounting for digital narratives that branch int...
Ho-seung Sim· The Global Association of Ap...· 0 citations
The findings suggest that HWAMW facilitates restorying and offers a valuable paradigm for AI-assisted writing, wherein LLMs do not tell their stories but rather help us see greater potential in the stories the authors tell.
Cody Kommers, Sarah G. Immel, Drew Hemment et al.· 0 citations
Literature has always evolved with its audience, and the twenty-first century is no different. In an era dominated by digitalisation, artificial intelligence, and visual culture, Generation Z occupies a media environment that demands stories to travel beyond the page. This article argues that film adaptation is not a t...
M. Maheswari· Bodhi international journal...· 0 citations
This paper examines the techniques of irony and unreliable narration in contemporary illustrated children's books, specifically John Klassen's The Hat Trilogy and Christian Voltz's Toujours rien?. Through text-oriented analysis, we study how meaning is created against the backdrop of the tension between text and visual...
M. Mamuladze· International Journal of Inn...· 0 citations
This paper addresses the notion of short story from a postmodern perspective,
following the principle that rather than postmodern stories, what really exists
are keys and postmodern readings of contemporary stories. In two stories
whose theme borders on the imprint of the first kiss, the sudden ending will
be studied a...
Juan Carlos Araque Escalona, Telmo Edwin Vaca Cerda, Gladys Erminia Paredes Bonilla et al.· European Journal of Prosthod...· 0 citations
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