Jan 2026· European Conference on Information Retrieval· pp. 49-66· 2 citations· 64 references
Computer Science
TL;DR
LIVI (Lyrics-Informed Version Identification), an approach that seeks to balance retrieval accuracy with computational efficiency, is introduced that leverages supervision from state-of-the-art transcription and text embedding models during training to achieve retrieval accuracy on par with--or superior to--harmonic-based systems.
Abstract
Music Cover Retrieval, also known as Version Identification, aims to recognize distinct renditions of the same underlying musical work, a task central to catalog management, copyright enforcement, and music retrieval. State-of-the-art approaches have largely focused on harmonic and melodic features, employing increasingly complex audio pipelines designed to be invariant to musical attributes that often vary widely across covers. While effective, these methods demand substantial training time and computational resources. By contrast, lyrics constitute a strong invariant across covers, though their use has been limited by the difficulty of extracting them accurately and efficiently from polyphonic audio. Early methods relied on simple frameworks that limited downstream performance, while more recent systems deliver stronger results but require large models integrated within complex multimodal architectures. We introduce LIVI (Lyrics-Informed Version Identification), an approach that seeks to balance retrieval accuracy with computational efficiency. First, LIVI leverages supervision from state-of-the-art transcription and text embedding models during training to achieve retrieval accuracy on par with--or superior to--harmonic-based systems. Second, LIVI remains lightweight and efficient by removing the transcription step at inference, challenging the dominance of complexity-heavy pipelines.
Cross-modal music retrieval allows searching music by natural language queries, thereby resolving the challenge present in conventional tag-based music retrieval systems. This paper presents a contrastive pre-training framework for learning aligned embeddings between textural description and music audio signals. The pr...
Zheng-Shun Jiang· International Conference on...· 0 citations
State-of-the-art text-to-music models increasingly rely on scaling model capacity, data, and compute, while still learning musical structure directly from dense audio. Yet melody, rhythm, harmony, and structure can be represented compactly in symbolic form. We introduce MIDI-REPA, a representation-alignment framework t...
Song Yu, Fang-Duo Tsai, Yi-Hsuan Yang· 0 citations
Automatic music transcription (AMT) is limited by the scarcity of audio recordings paired with precise symbolic annotations. Synthetic data can provide supervision at scale, but it remains unclear whether effective transfer depends on realistic score structure or broad timbral coverage. We study these factors separatel...
MuNo-SP (Music Notation unifying Score and Performance), a text-based representation that jointly encodes score content and performance information, is introduced and an automatic training-data generation pipeline is developed that uses aligned scores and performances to produce long-form auditory analyses and musicall...
Milan Liessens Dujardin, Song Yu, Kevin Miao· 0 citations
Automatic Music Transcription (AMT) seeks to convert acoustic music recordings into symbolic musical notation, a process that remains remarkably difficult for polyphonic piano due to concurrent polyphony, harmonic partial interference, expressive timing, and severe pitch activation sparsity. In this paper, we formulate...
Phu-Anh-Tai Do, Huu-Hoang Nguyen, Duc-Hoang Nguyen et al.· 0 citations
Professor Paris Smaragdis develops computers with superhuman hearing for applications like speech recognition, music understanding, and environmental monitoring.
MIT News · Artificial Intelligence· news.mit.eduOct 27, 2026
Prabha Jha used her experience with MIT Open Learning’s program for senior executives to develop AI solutions for her employer, Verizon, and to write a book.
Assistant Professor Benjamin Lindquist studies how engineers deliberately injected randomness into early AI, giving rise to deep-learning models that sometimes hallucinate.
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