This work proposes Flowley, an end-to-end, single-stage training architecture that produces soundtracks by combining visual features with textual prompts, and introduces Progressive Soft-masked Cross-Attention, which embeds audio-visual synchronization directly within its attention mechanism, adding zero additional computational cost compared to standard attention layers.
Abstract
Video-to-audio (V2A) generation aims to synthesize realistic audio that is both semantically consistent with and temporally synchronized to a silent video. Despite recent progress, many methods still rely on multi-stage training, resulting in high computational costs and long runtimes, or transform visual input into text to leverage pretrained text-to-audio models, sacrificing fine-grained temporal cues. To overcome these limitations, we propose Flowley, an end-to-end, single-stage training architecture that produces soundtracks by combining visual features with textual prompts. Crucially, we introduce Progressive Soft-masked Cross-Attention, which embeds audio-visual synchronization directly within its attention mechanism, adding zero additional computational cost compared to standard attention layers. We further observe that existing V2A benchmarks lack sound-oriented descriptive captions, which can potentially degrade the quality of the synthesized audio. To remedy this, we propose SoundCap, a plug-and-play pipeline for creating detailed, sound-aware captions that guide the model. Remarkably, without integrating any pretrained audio-visual alignment modules, Flowley achieves state-of-the-art performance on VGGSound across multiple metrics. Moreover, by incorporating SoundCap, we further exceed the performance of the strongest existing close-sourced methods in terms of audio quality in the zero-shot setting.
A novel framework that performs selective cross-modal alignment through a learnable masking mechanism, enabling the model to isolate and align only the shared latent components relevant to both modalities is proposed.
Jiyang Zheng, Siqi Pan, Yu Yao et al.· Neural Information Processin...· 6 citations
OmniVAE is presented, a jointly trained audio-video VAE that learns fine-grained semantic alignment between audio and video latent representations that translates into higher generation quality and more accurate cross-modal synchronization in downstream text-to-audio-video generation.
Jun Zhan, Chenchen Yang, Yitian Gong et al.· arXiv.org· 0 citations
An A2I model, AudioCanvas, fine-tuned on the A2I-Set is proposed, a unified, high-quality tri-modal dataset specifically designed for audio-visual research, including audio-conditioned image generation.
Dongxu Ge, Shansong Liu, Cheng Gong et al.· 0 citations
This work introduces TD-V2A, which leverages temporal differences (TD) as the key representation that distinguishes V2A from I2A, enriching visual conditioning with minimal architectural modification and significantly improves end-to-end V2A generation quality, even outperforming dedicated V2A representations such as c...
Zehua Chen, Junyou Wang, Yuxuan Jiang et al.· 0 citations
A Aura, a unified framework for high-fidelity and identity-consistent video generation, and introduces AI director-level captions that provide dense and structured descriptions of video content to better capture scene dynamics and subject interactions.
Zixiang Zhou, Zhentao Yu, Yifeng Ma et al.· 0 citations
This work presents a synchronization-aware acceleration framework for efficient audio-visual generation by explicitly accounting for cross-modal dependence during acceleration, and improves inference efficiency while keeping video quality, audio quality, and audio-video synchronization.
Sheng-Chuan Gao, Teng Hu, Bo-Hao Feng et al.· 1 citation
We use cookies to run the site and, with your consent, for analytics and to show ads.
See our Cookie Policy.