Aug 2026· AI & SOCIETY· 0 citations· 38 references
TL;DR
This study shows AI enables a cohort of “Internet entrepreneurs” to enter cultural production, driven by a “money hustling culture” that encourages formerly idle and low-skilled individuals to pursue rapid monetisation.
Abstract
As generative AI becomes embedded in platform-based cultural production, new forms of creative labour are emerging that challenge established understandings of what it means to be a “creator.” This article examines AI slop creators in China, a group that uses generative tools to benchmark viral content, test formats, operate matrix account systems, and formalise production, transforming virality from an unpredictable outcome into an object of systematic management. Drawing on ethnographic research conducted between 2023 and 2025 in China, this study shows AI enables a cohort of “Internet entrepreneurs” to enter cultural production, driven by a “money hustling culture” that encourages formerly idle and low-skilled individuals to pursue rapid monetisation. The findings suggest that AI slop creators organise production less around authorship, identity and aspiration, and more around operational mastery, strategic disposability, and algorithmic opportunism. Rather than cultivating personal brands, they prioritise speed, scale and adaptability, pointing toward a post-creator mode of cultural labour in contemporary platform economies.
Analysis of AI-generated cute pet short videos and valid user comments published on Douyin reveals that continuous interaction and negotiation among these actors have established a complete closed-loop mechanism integrating technological supply, platform governance, and user feedback.
Siyuan Zhang· Advances in Education, Human...· 0 citations
It is argued that AI-driven “style replication” is fundamentally a negotiation of social relations, one that recentres platform power and reorganises the conditions of human-AI collaboration.
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Streaming has transformed the landscape of screen production since Netflix launched its video-on-demand service in 2007 and later moved into commissioning content. Rather than treating streaming as a universal industrial logic, this special issue foregrounds the contextually-bound practices, infrastructures, and techno...
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The findings reveal an “Authenticity Paradox”: the lack of traditional human touch in AIGC does not alienate Generation Z; rather, the resulting “mindful friction”—quantified by a significant negative path effect between sentiment and identity—functions as a subcultural filter.
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It is argued that AIGC platforms do not simply de-professionalise or decentralise creation, but it also obscures the continuing value of professional expertise and widen entry while re-concentrating key forms of production, distribution, and definitional power.
Yu-Feng Deng· Lecture Notes in Education P...· 0 citations
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