Aug 2026· Library Trends· Vol 75, pp. 27 - 6· 0 citations· 92 references
Abstract
ABSTRACT:Although the digitization of cultural heritage has become a routine activity in heritage institutions, with fully embedded workflows, standards, and procedures, the world in which digitization sits is rapidly changing. Environmental change and geopolitical tensions are disrupting societies, displacing people and their cultures, and affecting those tasked with preserving the records of human society. Here, I explore the digitization of heritage content, particularly its selection criteria, at a time of growing conflict and societal change underpinned by the climate crisis. I demonstrate that there is room for intervention in both digitizing heritage that may be imminently lost and sourcing data for climate science. Choices regarding what should be prioritized for digitization—and what should be deprioritized—come into stark relief if we imagine floodwaters rising, soldiers outside, and fire within our walls. Adding a sense of urgency to cultural heritage digitization asks fundamental questions of its purpose, changing our perception of digitization, with resourcing and sustainability implications. I aim to make a critical intervention to help gallery, library, archive, and museum institutions recalibrate their selection, prioritization, and digital preservation policies for digitization for the current sociopolitical climate, while considering the purpose of collections digitization and why we believe we are digitizing them.
The ChemiNova project—funded by the Horizon Europe programme and coordinated by the Universitat de València—demonstrates how digital innovation can transform cultural heritage conservation in the face of increasing climate-related emergencies. Through the integration of technologies such as augmented and mixed reality,...
Carmen Cano-Sola, Álvaro Solbes-García, Alejandro Villar-Torres et al.· The Heritage· 0 citations
According to the Digital Preservation Coalition community, generated content in arts and heritage is classified as critical endangered cultural digital heritage. This also applies to other forms of data from private individuals, civil society initiatives, sports and cultural associations, or religious communities. Ever...
The study argues that the question is not whether AI can preserve African heritage, but whether preservation through AI serves communities or reproduces colonial extraction, and contributes the Decolonial AI Heritage Framework, a three-stage governance model integrating assessment, community engagement, and reflexive g...
Okechukwu Joshua Mba· Social Science and Humanitie...· 0 citations
The return of cultural artefacts taken during the colonial era seems to be a matter of course in our time. But what happens if the communities to whom these objects should be returned have for long ceased to exist and their successors are involved in a civil war? At the example of manuscripts taken from Ethiopia after...
Heritage in Nigeria and Iran is increasingly caught in a difficult tension. Sites and objects are celebrated as evidence of historical depth, collective memory and cultural identity, yet the same heritage is often exposed to climate stress, insecurity, vandalism, urban pressure and unequal systems of governance. This a...
Okechukwu Joshua Mba, Shalaleh Bahojb Ghodsi· International journal of res...· 0 citations
Littoral zones are not merely boundaries between land and water; they are dynamic bridges and buffers, fundamentally shaped by shifting environmental forces. The intangible cultural heritage embedded within these coastal zones (encompassing generational practices of resilience, navigation, and ecological adaptation) is...
Alessandro Adamou, Alessio Antonini, Francesca Benatti et al.· Proceedings of the 37th ACM...· 0 citations
We use cookies to run the site and, with your consent, for analytics and to show ads.
See our Cookie Policy.