2026· Vestnik slavianskikh kul'tur [Bulletin of Slavic Cultures]· Vol 80, pp. 224-241· 0 citations
Abstract
The study provides biographical information, an overview of the scientific heritage and a literary‑critical analysis of the poetic work of E.Yu. Ovsyannikov. It also outlines the range of scientific interests of the candidate of pedagogical sciences, asso‑ ciate professor and translator, and highlights his achievements in the field of poetry. A comprehensive analysis of the poet's literary heritage in the unity of form and content, based on the collection of poems “Nihgdabr”, is carried out in the context of the modern literary and historical process. The conceptual approach to interpreting the poetry of the polyglot author, subtle stylist and innovator in the field of language allows us to identify in the lyrics the influence of Russian and foreign traditions and such manifesta‑ tions of postmodernism as a pronounced subjectivity, catastrophism and existentialism of consciousness, stylistic eclecticism, polyphonic manifestations of the author's con‑ sciousness, a variety of forms of dialogue with the reader, linguistic experimentation (author's neologisms, an abundance of terms, transformation of idioms of the Russian language, innovations in the anthroponymicon system, multi‑code text), an appeal to intertextuality and polylingualism of works. All this enriches the intellectual poetry of E.Yu. Ovsyannikov with philosophical depth, individual creative originality, local geo‑ graphical certainty, multi‑ethnic and regional orientation.
The article is devoted to the study of the poetic and genre features as well as the genesis of traditionalism in Uzbek poetry of the first half of the 18th–19th centuries, with a particular focus on the Kokand literary milieu. The aim of the research is to determine the contribution of poets from this period to the dev...
Nazmiya M. Mukhitdinova· Vestnik of Saint Petersburg...· 0 citations
This article investigates the reception of Anna Akhmatova’s poetics in the work of Maria Vega, a poet of the “first wave” of emigration. The study
of Maria Vega’s poetry from this proposed perspective has not been previously
undertaken in either Russian or foreign literary scholarship. Through a sequential analysis of...
This article explores the artistic specifics and linguistic characteristics of the representation of the Virgin Mary in Russian poetry of the first half of the 20th century. The relevance of this work stems from the growing interest in traditional spiritual and moral values as the basis for preserving cultural identity...
Oleg E. Vorobiev· Богословский сборник Тамбовс...· 0 citations
Tadeusz Różewicz perceived World War II as an apocalyptic catastrophe that brought about the death of poetry. He acknowledged that existing means of expression were powerless in the face of the extermination of Jews, and that this inadequacy evidenced the exhaustion of earlier poetic forms. Różewicz felt compelled to...
P. Stępień, Agnieszka Jeżyk· The Polish Review· 0 citations
Abstract:This essay offers an account of the small press Commune Editions, which emerged from Occupy Oakland. It analyzes the ways that the press and its publications—a number of collections of poetry—build various forms of infrastructure. These forms of infrastructure include the material apparatus of editing and publ...
The authors analyze contexts with the anthroponym “Lomonosov” in Russian poetry of the Classicism, Sentimentalism, Romanticism, and Realism periods. The article describes the syntagmatics and figurative-motivational field of the precedent name. Connotations and “increments” of meaning accompanying the transformation of...
N. V. Patroeva, A. A. Lebedev· Russia: society, politics, h...· 0 citations
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