Jul 2026· Общество философия история культура· pp. 53-59· 0 citations
Abstract
The article is devoted to the understanding of aesthetic consciousness as a significant characteristic in the spir-itual values developing. As a complex formation in the world of artistic creativity, aesthetic consciousness is closely related to the philosophy of language as it is the language that shapes a person’s worldview colored by aesthetic experiences. Through the philosophy of language, the environment is transformed, and new mean-ings are created. Consequently, the concept of language as an attributive component of human and society’s spiritual life is associated with the understanding of the world and the aesthetic exploration of reality. The article substantiates L. Wittgenstein’s “language game” application and Charles S. Peirce’s semiotic theory to the so-cio-philosophical analysis of aesthetic consciousness. The authors argue with R. Shusterman who brought for-ward a concept rehabilitating the mass culture as a space of full-fledged aesthetic experience, and with W. Eco represented a thesis about the “limits of interpretation” as a sufficient limiter of semiosis. It is shown that aes-thetic consciousness is a form of social semiosis that is systematically distorted by closure mechanisms. The term of emancipatory semiosis is proposed as an analytical and normative perspective.
The article examines, from a scholarly perspective, the aesthetic nature of language and its dialectical relationship with other forms of art. The author considers language not only as a grammatical system or a means of communication, but also as a special artistic object that reflects the spiritual world of the indivi...
T. Marazykov, S. Abdyldaeva· Bulletin of Science and Prac...· 0 citations
The article explores the evolution of ideas about artistic creativity in Tatar philosophical and aesthetic thought from the Middle Ages to the early 20th century. It is established that the foundational basis for the national mod-el of creativity is the Sufi concept of the perfect human (kamil insan), within which the...
R. A. Fattakhov· Общество философия история к...· 0 citations
At the center of the article is the main macro-object of aesthetics – the “aesthetic” as a specific type of socio-cultural reality, a mode of spiritual, appropriating attitude to the world, and a special semantic quality of all components of this attitude. The discussion in this piece is the possibility and scientific...
Lev A. Zaks· Bulletin of Liberal Arts Uni...· 0 citations
The article addresses the problem of overcoming the methodological gap in philological science concerning the lack of systemic analysis of the artistic potential of language. Amidst contemporary cultural transformations, digitalization, and the development of multimodal texts, there is an urgent need to create a compre...
T. Marazykov, S. Abdyldaeva· Bulletin of Science and Prac...· 0 citations
The theses provide an understanding of the current transformations occurring at the level of aesthetics and aesthetic experience of everyday life in the context of the modern multi-crisis, which implies the coupling of difficult-to-solve socio-political and environmental problems. In the aesthetic life of a modern pers...
V. V. Rybakov· Proceedings of the 5th Inter...· 0 citations
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