Teaching Across Cultures in Music: Rethinking Authenticity and Practice in Initial Teacher Education

Abstract

In contexts of growing social polarisation and cultural complexity, tertiary educators are increasingly called upon to move beyond celebratory multiculturalism towards critically informed intercultural praxis in preparing students for 21st-century classrooms. Drawing on a sustained transnational collaboration between Australia and Spain within initial teacher education, this paper adopts a collaborative autoethnographic approach to critically reflect on our pedagogical practices and their implications for culturally responsive music education. We examine how intercultural musical encounters, particularly those involving culture bearers, can foster cultural competence and critical reflection among pre-service teachers, while also generating tensions related to knowledge, cultural ownership, authenticity, and appropriation. Building on these reflections, we reconceptualise authenticity as a relational and dialogic process, co-constructed through interaction, mediation, and context-sensitive engagement. We propose a conceptual framework grounded in three interrelated dimensions: collaborative partnerships, relational authenticity, and dialogic mediation through educator facilitation. Together, these principles offer an ethically informed and pedagogically grounded approach to intercultural music education that moves beyond representation towards sustained, meaningful engagement with cultural diversity. By foregrounding the role of the educator as a cultural mediator and drawing on insights generated through sustained intercultural practice and prior research, this paper contributes to ongoing debates on belonging, inclusion, and the development of culturally responsive practices in contemporary music teacher education.