Aug 2026· Remote Sensing· 0 citations· 28 references
Abstract
This paper presents a pilot educational workflow that couples 3D remote sensing with heritage-driven pedagogy by engaging architecture master’s students in the documentation and digital archiving of Transylvanian cultural sites. Using terrestrial and mobile 3D scanning, students documented multiple typologies—wooden churches (Târgușor, Tioltiur), historical ensembles (Mociu, Coplean), industrial sites (1 Mai–Luduș, Vânătorilor–Luduș), and an urban street segment (Potaissa)—to generate dense point clouds that served as the basis for geometric reconstruction, semantic interpretation, and condition assessment. The study describes how the characteristics of different construction systems (timber, brick, stone, mixed structures) relate to point-cloud quality, survey coverage, and subsequent CAD/BIM drafting, with attention to the qualitative reading of minor deformations in wooden churches and of degradation patterns in masonry and industrial buildings. We also consider how artefacts in the data (noise, occlusions, registration errors) affect scene understanding and the interpretation of derived observations relevant to condition assessment and, prospectively, to monitoring. For the Tioltiur dual-sensor case, the TLS and SLAM datasets were compared through an internal CloudCompare registration check (final RMS 0.1121 on 50,000 points, fixed scale 1.0 and theoretical overlap 100%), surface-density displays (r = 0.005 for the Z+F dataset and for the GeoSLAM dataset), fitted-wall-plane readings (dip values around 89 deg. and 85 deg.) and a longitudinal section documenting roof/vault deformation. Beyond technical performance, the paper examines the self-reported formative impact on students’ digital skills and their understanding of cultural values, arguing that participation in 3D data acquisition, processing, and interpretation positions them as co-creators of a living digital archive. Pre- and post-workshop questionnaires (n = 13 each) are analysed descriptively—counts, percentages and medians with interquartile ranges—because the two instruments are unmatched and carry no shared identifier, so no paired test is applied; post-workshop self-ratings of technical competence, heritage understanding, archival awareness and collaboration were consistently high (medians 4–5), with uneven access to VR the main gap. By connecting point-cloud-based documentation workflows with heritage education, the project outlines a transferable, monitoring-ready baseline model in which 3D remote sensing supports both careful documentation and the transmission of regional identity and cultural meaning in architectural training. As an exploratory pilot with a small, self-reported sample, the study reports descriptive and qualitative findings rather than validated metric or statistical results.
An integrated and open digital workflow for the survey, management, and reuse of complex architectural heritage, using Villa Aldrovandi-Mazzacorati as a case study is presented, offering a scalable and transferable framework for future 3D heritage initiatives across architectural and territorial contexts.
Marco Medici, Andrea Sterpin, Stefano Settimo et al.· Journal on Computing and Cul...· 0 citations
Abstract. The 3D documentation of complex scenes—characterized by restricted spaces, irregular geometries, and poor lighting—remains a significant challenge in cultural heritage. This study proposes a rapid data acquisition methodology based on the multi-sensor fusion of Terrestrial Laser Scanning (TLS) and Spherical Photogrammetry (SP). The approach was validated in two distinct complex environments: an ancient Egyptian rock-cut tomb (QH36, Aswan, Egypt) and a natural Iberian sanctuary cave (Cueva de la Lobera, Jaén, Spain). The methodology uses TLS to establish a high-precision geometric backbone, achieving registration errors below 0.5 cm. By extracting Ground Control Points (GCPs) directly from the TLS point cloud, the reliance on traditional total station surveying was significantly reduced, enhancing fieldwork efficiency. SP was implemented to obtain realistic textures and to support geometry by using a 360-degree multi-camera with integrated LED lighting, providing full spherical coverage and high-resolution textures. Results indicate that SP is at least six times faster than conventional photogrammetry. Furthermore, the use of TLS-derived meshes enabled advanced digital masking to remove non-interest objects (e.g., archaeological equipment) from the final models. While conventional photogrammetry remains the benchmark for fine architectural details, this research demonstrates that the TLS-SP fusion is the most viable solution for the rapid, high-accuracy documentation of constrained heritage sites. This hybrid workflow ensures geometric integrity while drastically reducing acquisition times, providing a robust framework for future archaeological and conservation projects.
A. Mozas-Calvache, José Luis Pérez-García, J. M. Gómez-López et al.· The International Archives o...· 0 citations
Abstract. Historical surveying instruments represent invaluable cultural heritage artifacts that embody centuries of scientific and technological advancement in geodesy and cartography. However, their inherent fragility and limited accessibility restrict their educational potential and preservation. This study proposes an integrated digital preservation methodology for the Cartographic Sciences Museum at the Federal University of Pernambuco (UFPE), combining low-cost smartphone photogrammetry, three-dimensional reconstruction, geometric optimization, and augmented reality (AR) visualization. A Structure-from-Motion (SfM) workflow processed 303 smartphone images (Xiaomi Poco F5 Pro) with systematic multi-angular capture and controlled overlap (30-60%). A three-chunk processing strategy in Agisoft Metashape optimized computational efficiency while maintaining geometric consistency. Post-processing in Blender reduced polygon complexity by 90% while preserving critical morphological features. Metric validation achieved root mean square error (RMSE) of 0.42 cm, demonstrating geometric fidelity adequate for heritage documentation. Integration into an AR application (Unity/Vuforia) enabled interactive mobile visualization of digitized artifacts. This methodology democratizes access to the UFPE collection for academic research and public engagement, enabling students, researchers, and the general public to explore historical geodetic instruments interactively. Results demonstrate that accessible, low-cost technologies can achieve quality comparable to conventional surveying methods while advancing digital heritage preservation and science communication.
Clovis Henrique Silva de Andrade, S. Sato, Juyara Bezerra de Araujo et al.· The International Archives o...· 0 citations
The first results of the AI-based processing pipeline developed within the HERITALISE project are presented, applied to three multiscale case studies at the Reggia di Venaria Reale, demonstrating strong photorealistic rendering capabilities, particularly for complex material properties and geometrically challenging interiors, whilst highlighting current limitations for metric surveying applications.
F. Chiabrando, A. Lingua, Alessio Martino et al.· The International Archives o...· 0 citations
Abstract. Three-dimensional (3D) modeling for the documentation, preservation, and management of cultural heritage is indispensable. To achieve this goal, a low-cost unmanned aerial vehicle (UAV) combined with the Structure from Motion (SfM) photogrammetric technique was utilized to build a 3D model and conduct surface crack measurements of cultural monuments. The results showed that, under simple conditions, non-specialists can easily generate accurate 3D models from UAV-acquired imagery. In this study, the statistical errors of checkpoints between 3D reconstruction and field measurements, expressed as total RMSE, ranged from 0.103 m to 0.848 m. However, the mean absolute errors of surface crack measurements between tape-based methods and 3D reconstruction ranged from 0.002 m to 0.099 m. Furthermore, UAV-SfM was applied to measure surface crack lengths on an inaccessible cultural monument. The findings demonstrated that employing the UAV-SfM photogrammetric technique for 3D reconstruction of cultural monuments is both feasible and reliable.
Wei-Che Huang, Wen-Cheng Liu, Yi-Shan Luo et al.· The International Archives o...· 0 citations
Abstract. The “Stone Witnesses Digital” project ensures the exemplary documentation of a selected number of German Jewish graveyards. This paper presents the results from the first years of the project’s geomatics work, including the development of an integrated multi-sensor workflow for 3D imaging—ranging from geographic-scale documentation of entire graveyards (1:200 scale) to detailed feature imaging of individual gravestones (1:20 scale). The workflow supports the long-term research project on Jewish sepulchral culture and brings together expertise from Jewish Studies, Digital Technologies in Heritage Conservation, and Historic Building Research. The overarching scope is to document the location and context of gravestones, their materiality, decorative elements, inscriptions, and the meanings embedded within them—summarized under the guiding concept “Space, Form, Inscription.” The aim of the project is to create a comprehensive digital dataset that documents inscriptions as well as the spatial and structural characteristics of gravestones, thereby ensuring their long-term preservation and making them accessible for further academic research. To achieve this, the workflow must integrate various sensing and 3D imaging techniques, ensure reliable and sustainable data storage, and support reproducible dataset creation for spatio-temporal analyses and long-term monitoring of graveyards throughout the 24-year project period. It also enables the combination of advanced sensing technologies with semantic web standards and facilitates the creation of informative Open Access outputs compliant with FAIR data principles.
L. Puglisi, Michael Groh, Patrizia Hanika et al.· The International Archives o...· 0 citations
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