Aug 2026· Daengku Journal of Humanities and Social Sciences Innovation· Vol 6, pp. 836-846· 0 citations· 35 references
TL;DR
It is concluded that musical art is a dynamic system shaped by technological, social, and cultural changes, requiring a balance between innovation, economic sustainability, and cultural diversity.
Abstract
The article examines the impact of globalization and digitalization on the development of contemporary musical art. Rapid advances in information technologies have transformed music into a key element of the global cultural space, facilitating interaction among diverse cultures, traditions, and creative practices. The study analyzes how the Internet, streaming services, social media, and artificial intelligence have reshaped the creation, distribution, and consumption of music. Particular attention is paid to the role of digital platforms in promoting musical works, supporting artists, and influencing audience preferences through recommendation algorithms. The paper highlights the growing integration of musical styles and traditions across countries, fostering intercultural dialogue and the emergence of new artistic forms. At the same time, local cultural characteristics remain essential for preserving national identity within a globalized environment. The research also explores innovative trends, including AI-generated music, virtual concerts, and the use of music in education and therapy. While digital technologies expand creative opportunities and public access to cultural content, challenges such as copyright infringement, unequal revenue distribution, and cultural homogenization persist. The article concludes that musical art is a dynamic system shaped by technological, social, and cultural changes, requiring a balance between innovation, economic sustainability, and cultural diversity.
The article examines the problem of the formation of value orientations of Russian youth under the influence of musical practices mediated by digital media platforms. The relevance of the study is due to the deep integration of music into the everyday communicative environment and the space of identity formation of gen...
N. A. Orekhovskaya, U. P. Blagoveshchenskaya· Humanities and Social Scienc...· 0 citations
This presentation delves into the profound impact of Western influences on Chinese music during the 19th and 20th centuries. The session integrates performances of Chinese music in the dialogue, offering a comprehensive exploration of cultural exchange and transformation. Through a blend of performance and analysis, we...
Anthony A. Olson, Peng Yan· Athens Journal of Humanities...· 0 citations
The article investigates aesthetic reduction as a systemic principle governing the organization of pop music within the context of 20th–21st century mass culture. Aesthetic reduction is defined as the multidimensional simplification of the structural, semantic, and expressive organization of a musical text, ensuring it...
Нелли Викторовна Чумичева· KANT Social Sciences & H...· 0 citations
In the context of active intercultural interaction, the Chinese musical tradition has become an important object of sustained interest for European composers, musicologists and performers. Initially, this interest was associated mainly with the external sonic distinctiveness of Chinese music—its timbral qualities, moda...
Yu Zhang· KANT Social Sciences & H...· 0 citations
The development of social media and other digital
communication tools has brought about significant
changes in the ways young people communicate,
access musical content, and engage in the learning
process. Musical content is increasingly presented
and performed through platforms such as YouTube,
Instagram, and TikTok....
This paper examines the transformative role of Information and Communication Technologies (ICTs) in shaping contemporary music industry structures, practices and economies. Drawing on a systematic literature review, the study maps how digital tools, from digital audio workstations, streaming platforms, recommendation a...