This work identifies a critical structural gap in current multimodal evaluation paradigms, arguing that the reliance on Large Vision-Language Models (LVLMs) as judges is fundamentally limited by architectural biases, and challenges the multimedia community to move beyond snapshot-centric metrics and instead pioneer Temporally-Aware Evaluation paradigms that treat visual sequences as unified logical structures rather than unordered collections of frames.
Abstract
As generative multimedia evolves from static image synthesis to complex, interleaved visual narratives, a foundational bottleneck has emerged: the judgment crisis. While human perception naturally synthesizes the temporal and logical flow of a story, automated evaluation systems remain largely"blind"to sequential continuity, often failing to distinguish between a coherent narrative and a semantically shuffled or contradictory sequence. This work identifies a critical structural gap in current multimodal evaluation paradigms, arguing that the reliance on Large Vision-Language Models (LVLMs) as judges is fundamentally limited by architectural biases. Our analysis reveals a profound performance dichotomy: while models may appear competent in isolated pointwise scoring, they suffer a catastrophic collapse when required to perform pairwise discrimination of temporal order. We demonstrate that this is not merely a data-scarcity issue but a structural one. Through a series of diagnostic probes, we uncover systematic positional asymmetries, specifically primacy and recency effects, where a model's judgment of a story is significantly influenced by the placement of a frame, often more than by its semantic consistency. These biases, potentially rooted in causal masking and rotary embeddings, suggest that current transformer-based judges are inherently ill-equipped for long-form visual reasoning. By exposing these blind spots, we challenge the multimedia community to move beyond snapshot-centric metrics and instead pioneer Temporally-Aware Evaluation paradigms that treat visual sequences as unified logical structures rather than unordered collections of frames.
This article argues that the difficulty of video-language systems is structural rather than one of capacity, and proposes a framework that separates temporal coherence into four levels, covering perceptual continuity, event segmentation, entity persistence and causal narrative structure.
T. S. M M· Eduschool Journal of Artific...· 0 citations
Large Language Models (LLMs) are temporally overexposed: trained on vast contemporary corpora, they encode present-day concepts that make them unreliable narrators of the past. We present TimeCapsule, a 1.2B-parameter LLaMA-style causal model trained exclusively on Victorian texts (1800–1875) as an epistemologically isolated generative archive. Quantitative evaluation shows a 45.4% perplexity reduction over a GPT-2 baseline on held-out Victorian prose, while larger contemporary causal models achieve lower raw perplexity through broader pretraining but lack temporal isolation. TimeCapsule exhibits computational sensemaking, generating historically plausible analogical explanations for unfamiliar modern concepts (e.g., describing a computer as a “hypertrophied lung”). A qualitative hermeneutic probe with two humanities scholars revealed a crisis of authenticity, as both misclassified approximately 40% of genuine Victorian excerpts as machine-produced. We argue that structural ignorance of the future transforms hallucinations into interpretive probes of nineteenth-century ontologies.
As audio-visual generative models evolve into world simulators, cross-modal synchronization stands as a critical proxy for assessing the consistency of world dynamics and causality in generated content. However, existing evaluation metrics presume structural correctness, reducing synchronization to mere temporal alignment. Consequently, they fail on generative outputs, especially when exhibiting structural hallucinations and asymmetric cross-modal relations, which currently \textbf{mandate expert human annotation to assess synchronization.} This dependency introduces a critical paradox: \emph{human evaluators rely on relative, reference-dependent comparisons, whereas automated metrics require reference-free, absolute scalars.} We resolve this paradox by proposing a framework that distills relative human perception into a continuous, globally consistent metric. First, we introduce SynthSync, a dataset of generative failures ranked via pairwise human annotations. Second, we adapt the Omni-LLM equipped with a continuous latent projection to translate relative human rankings into continuous absolute values. Third, we propose Real-Valued Group Relative Policy Optimization ($\mathbb{R}$-GRPO) to internalize the global causal structure of synchronization via listwise score distributions. Empirically, our metric achieves state-of-the-art human preference alignment. We leverage this estimator to establish a standardized benchmark, advancing AV-Gen assessment from low-level signal correlation to visually grounded causality.
Yi-Jie Qian, Juncheng Wang, Chao Xu et al.· 0 citations
Text-to-Image (T2I) models have recently achieved impressive visual fidelity, yet their evaluation remains constrained by benchmarks that are often difficult to interpret and insufficiently diagnostic. Existing skill-based evaluations tend to overlook critical failure modes that strongly impact usability but fall outside standard taxonomies, such as global incoherence arising from missing parts or physically implausible configurations (e.g., floating objects). In addition, prompt difficulty is typically controlled along a single dimension; either prompt length or the number of elements to generate. To address these limitations, we introduce Imag-Eval, a controlled benchmark designed to assess how T2I models ground compositional natural-language instructions into visual outputs. Unlike prior work that conflates surface linguistic complexity with compositional difficulty, Imag-Eval explicitly seeks to disentangles these factors by independently varying both the number of instances and the combination of constraints (rules), while avoiding error propagation. This design enables fine-grained and interpretable analysis of where cross-modal instruction following fails. Our benchmark comprises 1,140 prompts and 8,842 combined rules, and we evaluate it on several state-of-the-art models. Complementing this analysis with an additional study of over 2,000 prompts from a concurrent benchmark, our results suggest that, for structured skills, compositional difficulty is primarily governed by the number of grounded rules and their binding to instances,, rather than by prompt length alone.
How does language mediate visual meaning in AI image generation? This article theorizes AI image generation as mediated through three successive linguistic nets that together constitute a new epistemic order of the visual. Building on Vilém Flusser’s media philosophy, we assume that the translation of written language into images is forever incomplete: each act of translation opens a gap in meaning, with visual richness escaping linguistic capture, while simultaneously adding another layer of meaning embedded in language itself. The first net,
dataset annotation
, decodes images into linguistic categories determining which visual expression becomes computationally traceable. The second net,
user prompting
, is where visual intentions are encoded into technical idioms that circulate through communities of practice. The third net,
system prompts
, is where platform-embedded instructions invisibly modify user requests according to corporate and legal imperatives. Synthesizing recent research, we show how these nets interact: each successive translation reorients the space of visual possibilities, producing cumulative constraints on visual culture. The result of this configuration is a new epistemic order of AI image-making that determines which images can be generated and increasingly shape what users learn to imagine, what we call
promptable imagination
: the trained disposition to conceive visual ideas in terms that can successfully traverse all three nets.
Norma Musih, Eran Fisher· AI & SOCIETY· 0 citations
Multimodal large language models excel at passive perception but struggle with complex visual cognitive tasks requiring multi-step temporal reasoning. This degradation largely stems from the inherent ambiguity of language-based reasoning, which often fails to accurately articulate continuous visual transformations. To address this, we propose ChronoVision, a multimodal framework designed to align visual logic with latent imagery. During supervised fine-tuning, a Reconstructive Visual Head predicts the latent representation of the final transformed state, while an ROI Attention Locating module focuses the model on key visual evidence via semantic span queries. In post-training, we apply reinforcement learning with an implicit process grounding mechanism, guided by a composite reward function that evaluates outcome correctness, latent process alignment, and unsupervised visual focus. Furthermore, we introduce Vbvr-VQA, a novel dataset that evaluates temporal tracking by reformulating video reasoning into a strict image-ordering task. Experiments demonstrate that ChronoVision achieves state-of-the-art performance on Vbvr-VQA with 74.8% in-domain and 71.6% out-of-domain accuracy, alongside a strong 55.0% accuracy on IntPhys2, a highly challenging cross-domain benchmark.
Yifan Shen, Jian Xu, Boyi Li et al.· 1 citation
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