This study argues that Ishiguro redefines intelligence by moving away from anthropocentric and logic-based cognitive models, and explores how Klara's AI consciousness mimics the sensory processing of nonhuman animals rather than the narrative consciousness of humans.
Abstract
This paper examines the presence of nonhuman intelligence in Kazuo Ishiguro's novel, Klara and the Sun, which was listed in the Booker Prize, positing that the protagonist challenges the traditional boundaries between machine, animal, and human. By analysing Klara, an Artificial Friend defined by her solar dependency and acute observational skills, this study argues that Ishiguro redefines intelligence by moving away from anthropocentric and logic-based cognitive models. Through the close reading of Klara's segmented visual perception, this paper explores how her AI consciousness mimics the sensory processing of nonhuman animals rather than the narrative consciousness of humans. This 'otherness' is further examined through Klara's quasi-religious devotion to the Sun, suggesting that her love is a form of specialised nonhuman empathy that exposes the transactional nature of human relationships in the novel's dystopian setting. Moreover, this paper explores the idea of the author that he uses Klara to dismantle human exceptionalism, forcing a radical reconsideration of moral responsibility and individuality for all beings in this increasingly automated future.
This essay contends that artificial intelligence threatens to accelerate the standardization of teaching, diminish faculty autonomy, and redefine education in managerial and technocratic terms, which redefine faculty as an unnecessary expense, and advances an inclusive humanist framework that affirms the intrinsic valu...
Gerard Johnstone’s M3GAN (2022) presents artificial intelligence not merely as a technological threat but as a challenge to the conceptual boundaries through which humanity defines itself. The film centres on M3GAN, an artificially intelligent humanoid doll created to become a child’s companion and protector, but her i...
Dhanya Ravindran R.K· International Journal of Eng...· 0 citations
This article argues that Gareth Edwards's 2023 science fiction film The Creator actively contributes to contemporary philosophical conversations about identity, consciousness, morality, and what it truly means to be human in an age increasingly shaped by intelligent machines.
Gulshan Akram· International Journal of Adv...· 0 citations
This article advances a theologically grounded account of artificial intelligence by reading Catholic social teaching through the media theory of Marshall McLuhan. It offers a distinctive contribution: a clarification of the Catholic anthropology of the soul and an account of presence as the irreducible human dimension...
Maria Mazzenga· Journal of Catholic Social T...· 0 citations
Contemporary fiction has anticipated many of the ethical questions that accompany artificial intelligence: what counts as a person, whether intelligence entails moral standing, how embodiment shapes identity, and what obligations arise when care is mediated by machines. This article offers a comparative close reading o...
Packianathan Samuel· Asian Journal of Research Sc...· 0 citations
This article proposes the figure of the digital centaur – a contemporary transposition of the ancient hybrid form – as a conceptual and metaphoric instrument for thinking the human condition under the impact and pressures of artificial intelligence, neurotechnology, and emerging forms of synthetic sociality (humans and...
Maria Todorova· Filosofiya-Philosophy· 0 citations
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