Aug 2026· Social Sciences Journal· Vol 3, pp. 255-264· 0 citations
Abstract
Film functions not only as entertainment but also as a medium that constructs social, political, and national meanings. This study examines how nationalism values are represented in Aum!, a film set during the political tension preceding Indonesia’s 1998 Reform movement. The study aims to identify and interpret visual and verbal signs that communicate nationalism through Ferdinand de Saussure’s semiotic perspective. A descriptive qualitative method was employed. Data were collected by repeatedly observing the film and documenting relevant scenes, dialogues, facial expressions, body movements, visual settings, and camera techniques. The analysis focused on the relationship between signifiers and signified meanings. The findings reveal three dominant forms of nationalism: courage in defending truth and freedom of expression, solidarity and unity among activists under political pressure, and resistance to injustice as concern for the nation’s future. These meanings are conveyed through firm dialogue, serious expressions, raised fists, collective positioning, and close-up and long-shot techniques. The study concludes that Aum! represents nationalism as an active commitment expressed through struggle, cooperation, sacrifice, social responsibility, and the defense of justice and democracy
This article examines how performative forms of digital communication contribute to the production and normalization of political reality under authoritarian and hybrid political conditions, with Georgia as the primary contextual frame. Drawing on Michel Foucault’s theories of productive power and governmentality, Erik...
George Salukvadze· International Journal of Res...· 0 citations
This study examines how Tiga Drama, a theatrical work by Seno Gumira Ajidarma, represents historical reality through Peirce’s semiotic framework. It identifies and interprets the ways in which objective and imaginative realities are constructed through icons, indices, and symbols. Employing a qualitative descriptive, t...
This study examines the construction of racial identity in Spike Lee's BlacKkKlansman (2018) through Ferdinand de Saussure's semiotic theory. While previous studies have primarily focused on discourse, language, or the thematic portrayal of racism, this research investigates how verbal and visual signs work together to...
Mathieu Kassovitz’s La Haine (1995) is often seen as a key film in banlieue cinema and as an important voice in debates about police violence, racial exclusion, and the shortcomings of French republican ideals. This article suggests that the film also deserves a queer cultural studies approach, since it often challenge...
Stéphane Narcis· Global Journal of Cultural S...· 0 citations
This study is rooted in Pakistan's socio‐political history. I consider Pakistani intergenerational trauma as leading to a state of mass hypervigilance, a psychic arousal that initially protects as a trauma response but, when chronic, can constrain feeling, imagination and free speech. As a group conductor, I explore...
Muhammad Shameel Khan· British Journal of Psychothe...· 0 citations
This article analyzes how Salman Rushdie’s novel Shame transforms shame from a private space into a public domain, where it becomes a collective discourse that reveals the instability of postcolonial national identity in Pakistan. While existing scholarship has emphasized the novel’s political satire, feminist concerns...
Kusum Ghimire· SCHOLARS: Journal of Arts &a...· 0 citations
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