The aesthetics of order in I. F. Stravinsky: on the problem of genesis and embodiment in the musical fabric
Based on a discourse analysis of Igor Stravinsky’s Poetics of Music, this article identifies the philosophical and theoretical origins of his aesthetics (the formalist tradition: Immanuel Kant, Eduard Hanslick, Russian Formalism) and systematically investigates the embodiment of the category of order in the temporal an...