Cultural heritage faces accelerating threats from armed conflict and climate-induced disasters, generating emergency scenarios in which the window for documentation may be measured in hours. Traditional high-fidelity workflows such as Terrestrial Laser Scanning and survey-grade Structure-from-Motion campaign can be operationally incompatible with these constraints due to costly hardware and specialist-team requirements. Emergency image acquisition can be undertaken with consumer-grade equipment, while the same photographic dataset can subsequently support both an SfM-MVS mesh for metric and geometric analysis and a 3D Gaussian Splatting (3DGS) representation for view-dependent visual interpretation. This paper evaluates an accessible, entirely graphical workflow for producing these complementary outputs, with particular attention paid to the 3DGS stage and without requiring programming or command-line expertise. We develop a theoretical case drawing on Brandinian restoration theory and the international conservation framework, introducing the concept of informational amnesia, the irreversible loss of a site’s documentary record, as a distinct and undertheorized category of heritage failure. We further argue that the democratization of 3DGS documentation cannot be measured by licensing cost alone: a tool distributed as open-source code but requiring command-line expertise presents an effective accessibility barrier functionally equivalent to a commercial paywall. True accessibility requires installable, graphical software operable by non-specialist practitioners in the field. We present a proof-of-concept application of this accessible pipeline, namely DJI Mini 5 Pro, RealityScan for photogrammetric reconstruction, and Lichtfeld Studio for 3DGS generation, to the Fontana d’Ercole at the Reggia di Venaria Reale (UNESCO World Heritage, Turin, Italy). Visual results show photorealistic, navigable 3DGS surrogates of architecturally complex heritage assets achievable by non-specialist operators within hours of acquisition and establish the empirical foundation for future quantitative evaluation.
Alessio Martino, F. Chiabrando· The Heritage· 0 citations
Abstract. This paper presents a comparative analysis of traditional photogrammetric methods and 3D Gaussian Splatting (3DGS) technology in the digitisation of Cultural Heritage (CH). Two representative datasets, differing in scale and image acquisition conditions, were selected to systematically evaluate the performance of both methods in terms of visual quality, geometric accuracy, computational efficiency and stability. The results indicate that 3DGS significantly outperforms traditional photogrammetry methods in terms of rendering quality and real-time visualisation capabilities, generating more realistic and immersive visual effects. However, its geometric accuracy is generally slightly lower than that of traditional methods, a difference that is particularly pronounced in small-scale datasets or under low-resolution input conditions. Among the various implementation methods, Postshot and LichtFeld Studio demonstrated higher stability and robustness, whilst the original GraphDeco method exhibited greater sensitivity to data scale and parameter settings. Photogrammetry offers reliability in high-precision geometric reconstruction, whilst 3DGS demonstrates significant potential for complementing this with a high-fidelity visual experience. The research findings try to provide practical guidance for selecting 3D reconstruction methods across different cultural heritage application scenarios.
Xin-Chen Li, Alessio Martino, F. Chiabrando et al.· The International Archives o...· 0 citations
Abstract. The measurement of Ground Control Points is a crucial but time-consuming step in photogrammetric surveys, especially in the Built Heritage domain. This study investigates the use of a new generation Global Navigation Satellite System receiver equipped with an integrated camera to measure inaccessible points (to be used as GCPs, e.g. on building façades), combining satellite positioning and photogrammetry in a single device. The approach was tested on a historical building using both the tested GNSS-camera system and traditional Total Station topographic measurements as reference. Results show that the proposed method can achieve centimetric accuracy, with horizontal and vertical errors of about 3-5 cm (in line with the adopted NRTK service). While a small systematic shift was observed, the overall geometric consistency of the measured points remained within acceptable limits for many heritage documentation applications. Additionally, the georeferenced images acquired by the system were successfully used in a Structure from Motion (SfM) direct georeferencing workflow, producing 3D models and orthophotos with good metric reliability when compared to other data, such as TLS scans. The study demonstrates that GNSS-camera systems can significantly reduce fieldwork time while providing reliable spatial data, representing a promising solution to be integrated into heritage documentation pipelines in an efficient and flexible way.
L. Teppati Losè, F. Chiabrando, F. Giulio Tonolo· The International Archives o...· 0 citations
Although accuracy is still insufficient for demanding metric applications, the results support the use of MDE as a complementary source for thematic interpretation, scene understanding, robotics, navigation, and related tasks where strict geometric precision is not required.
F. Chiabrando, Francesca Gallitto, A. Lingua et al.· The International Archives o...· 0 citations
The first results of the AI-based processing pipeline developed within the HERITALISE project are presented, applied to three multiscale case studies at the Reggia di Venaria Reale, demonstrating strong photorealistic rendering capabilities, particularly for complex material properties and geometrically challenging interiors, whilst highlighting current limitations for metric surveying applications.
F. Chiabrando, A. Lingua, Alessio Martino et al.· The International Archives o...· 0 citations
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