PAINTING THE SELF: FEMALE ARTISTIC IDENTITY IN THE AWAKENING AND ONU BEKLIYORUM
This article examines the representation of female painters in Kate Chopin’s The Awakening (1899) and Suat Derviş’s Onu Bekliyorum (1935), focusing on painting as a means of female self-definition. Drawing on feminist literary criticism and studies of female artistic identity, the article argues that artistic productio...